Thank you to the members who attended the 2022 Annual General Meeting in person or via zoom. Thank you also for the show of support to me as President and to the other Directors who were elected.
I particularly thank Peter Crawshaw for his nomination and subsequent election to the Secretary’s position. Ly...
William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and
extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another
facet to his life, as the ex-Rockhampton solicitor who became a...
From the foundation of the colonies, local cabinetmakers experimented with using the wide range of native timbers. Bob Fredman discusses a chest of drawers, most likely made about 1900 in Bundaberg, Queensland and probably by a local cabinet maker of Germanic heritage, who liked to use contrasting timbers with ...
November 2022 marks the centenary of the discovery of the virtually intact tomb of King Tutankhamun, who reigned from about 1332 to 1323 BC. The pharaoh’s burial goods created a worldwide sensation focussed on ancient Egypt, which has long fascinated Europeans, partly because of its Biblical connections and p...
We sometimes forget that some artefacts are ephemeral. Paul Gregson reminds us that a biscuit can be a nostalgic piece of Australiana, though it may only exist now in images.
Prodigious Australiana contributor Glenn R. Cooke is well known through his professional interests in Queensland art, decorative arts and social history. But that does not define Glenn; he loves ballroom dancing and gardens, as well as pursuing a sideline in collecting artefacts relating to his home stat...
Many colonial woodworkers, often trained in Britain or Europe, came to Australia and discovered the vast variety of native timbers suitable for carving or for making furniture and timber articles. Jewellery ‘book boxes’ made from several contrasting North Queensland timbers and bearing the stamp of ‘H.A. ...
Brisbane painter and art teacher Mary E. Jones has escaped recognition for 130 years. She would not be alone in that fate: over time, many aspiring painters and their works disappear from history. Timothy Roberts reveals some details about Miss Jones’s career and her impact as a woman artist in Brisbane betwe...
Polished-brass and chrome-plated aeroplanes were popular World War II mementoes – but how were they made and why did they take off in Australia?
Artists draw inspiration from many sources. Glenn Cooke examines at how a 20th-century Queensland wood carver took his design inspiration from an historical French pottery plaque some 400 years old, finding what seems to be the exact example he used.
BOOK REVIEW BY MICHAEL LECHRuth Lane Poole: a woman of influence. Canberra Museum and Gallery, 2021, 58 pages. BOOK REVIEW BY ANNE-MARIE VAN DE VENChristine Stewart,
Collits’ Inn: Uncovering the Past, Tellwell, Australia 2021 ISBN 978-0-2288-3720-6
It is indeed pleasing to see members honoured for their services to the community. In the 2022 Queen’s Birthday Honours, Mrs Phyllis Murphy of Melbourne and Mr Alan Landis of Sydney were recognised with Member of the Order of Australia (AM) and Medal of the Order of Australia (OAM) respectively. Both richly d...
In America as in England, tea drinking became highly fashionable in the 18th century. The duty imposed on tea imported into Britain’s North American colonies became a catalyst for revolution, highlighted by the Boston Tea Partyin 1773. Many discrete meetings of revolutionaries were fuelled by nothing more inc...
While the artist H. C. Simpson (1879–1966) depicted subjects such as Mount Warning in northern NSW, his output is emphatically linked with the early years of the ‘Gold Coast’ and specifically the resort towns of Coolangatta, Currumbin and Tweed Heads. Although his work is not held in particularl...
Finding more examples of the silver brooch with Indigenous motifs that she discussed in our May issue, Christine Erratt delved further into their history. In the National Archives of Australia, Christine uncovered the 1954 design registration applications.
Six different designs, of which five were inspired b...
As part of their education in useful arts, schoolgirls sewed their own individual samplers, which are also important indicators of progress in educational methods and reach. The format is fairly standard, with the letters of the alphabet in either or both lower and upper case and basic numbers, plus the gi...
Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw
a new business opportunity and opened a sawmill at...
Fashion designer Margaret Murdoch (1912–1999) has been eclipsed by other members of the Murdoch family. In 1938 she went to London to gain experience in fashion design. Her move to the fashion capital of Paris on the eve of World War II led to disruption of her career path, with two stints of internment ...
Invented in 1948 and manufactured 'from the early 1950s, Splades or Splayds were a favourite gift for shower teas, weddings and Mothers’ Day in 1960s and 1970s Australia. We were vaguely aware that they might be an Australian innovation, but that wasn’t part of their advertising – they were prom...
Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw a new business opportunity and opened a sawmill at Wy...
When furniture or crib board collecting becomes too hard, because of either their cost or scarcity or both, the average Australiana collector can turn to drinks trays. They can turn to drinks too, but this article is just about the trays.
Numbers were limited on the NSW Branch’s recent successful tour of the Sydney Basin, so one of the organisers, Peter Crawshaw, reports on it for members who were not able to take part in person, especially those who live outside Sydney. Colonial furniture collector Bob Fredman was honoured to be asked to give...
Visions of a Republic. The work of Lucien Henry, the lavishly illustrated 2001 book produced for an exhibition on the designs and art of Lucien Henry (1850–1896), devotes more words to describing a photograph of the couple’s apartment in Darlinghurst (plate 1) than it does to describing his wife Juliette. Y...
Many buildings in Australia have been recognised for their architectural or historical significance, or their association with important individuals. Some have been preserved, and some have not. Jillian Dwyer relates the story of Currajong in Melbourne’s east, the Italianate villa built by the prominent colon...
We often recognise Australiana by the presence of motifs depicting Australia’s unique flora and fauna and, especially in the 19th century, representations of Indigenous figures. Anthropologists studied Indigenous people, while the things they made – much of it, what we would describe today as art – were r...
After Albert I King of the Belgians refused safe passage to Kaiser Wilhelm’s troops to attack France, Germany invaded neutral Belgium on 4 August 1914. Britain, bound by an 1839 treaty to support Belgium’s neutrality, declared war on Germany the same day. Australian Prime Minister Joseph Cook offered his go...
The box seen here shows the superb carving of John Kendrick Blogg, a successful and entrepreneurial industrial chemist who was born in 1851 in Canada, settled in the Surrey Hills region of Victoria in 1877 and died in 1936. His day job involved making perfumes and extracting essential oils. Family legend has it...
The Australiana Society aims to support ‘researching, preserving and collecting Australia’s heritage’. As our readers have a range of interests and live in different states, so we try to cater to all interests and regions. However, we rely on what you submit. Everyone is welcome to submit articles for con...
Wet conditions in humid climates, and especially with the recent floods in eastern Australia, exacerbate the problem of household damp and mould. For collectors, this is likely to affect sensitive items, such as furniture and works of art on paper. So remember to check your collection regularly, and follow some...
What an outstanding event the Sydney Basin Tour proved to be! While I have detailed this verbally and via personal email, it would be completely remiss of me not to publicly thank Robert Hannan, Peter Crawshaw, Andy Simpson and Tim Cha for their outstanding efforts in planning and delivering a wonderful event. ...
Two paintings of the Tomb of Father Receveur and the La Perouse Monument at Botany Bay by F. C. Terry mark the end of a significant episode in the exploration and scientific research of the Pacific in the late 18th century, extending from the arrival of the First Fleet at Botany Bay in January 1788 to the great...
There are sound reasons why you should have good photographs of items in your collection, whether as a record, for research, for publication, for sale and for insurance.
Paintings on gum leaves are a unique Australian tradition, which began in the 1850s or 1860s and still continues today. The earliest practitioner recorded is Arthur William Eustace (1820–1907), who was born in England and arrived in Victoria with his family in 1851. He found work as a shepherd near Chiltern i...
Most craftsmen who emigrated to colonial Australia were trained in the English, Scottish, Irish or German traditions. In Western Australia, several Spanish craftsmen were attracted by the monastery established by their compatriot Bendictine monks at New Norcia. Western Australian craftsmen, mostly using jarrah ...
JOURNAL REVIEW BY DR ROSS JOHNSTON, Queensland History Journal, vol. 24, no. 11, November 2021, (Journal of The Royal Historical Society of Queensland); BOOK REVIEW BY DR LINDA YOUNG, Fringe, Frog & Tassel: The Arts of the Trimmings-Maker in Interior Decoration. By Annabel Westman; BOOK REVIEW BY DR DAVID BEDF...
Lesley Garrett, a long-standing family friend, fondly recalls Trevor Kennedy's life and passion for collecting, amassing the most important collection of Australian decorative arts ever assembled... Anne Schofield, the source of much of the spectacular jewellery acquired for his collection, has her own distinct...
A small watercolour painting reveals remarkable similarities between the 1919 pandemic and that of our times.
In the aftermath of World War II, many commercial potteries were established in Australia to satisfy the market disrupted by hostilities, particularly for Japanese and European imports. While some of these new commercial potteries were established by immigrants from war-ravaged Europe, Henning Alfred Rathjen (1...
Objects and art shown at international exhibitions always attract a premium. Often, they really were ‘showpieces’, specially made to demonstrate the maker’s skills, ability and cutting-edge design. Three room suites of W. H. Rocke’s furniture displayed at the prestigious Melbourne International Exhibiti...
In the Middle Ages and Renaissance, workshop and guild traditions were based on the principle of emulation, with apprentices learning by copying the works of their masters. In painting, the practice was gradually regularised and systematised in the curricula of emergent national academies of art, beginning at t...
Artists in early Australia were usually trained in Britain and Europe in the Classical tradition going back to ancient Greece and Rome. David Hansen explores the possibility that, in the composition of his paintings created in Van Diemen’s Land, Benjamin Duterrau was influenced by Renaissance and Classical mo...
English painter John Glover once owned two Italian landscapes by the French painter known as Claude Lorrain. Claude's work prompted artists and tourists to view landscape in terms of art, so they would often look at 'Picturesque' scenery reflected in a tinted convex mirror known as a ‘Claude glass’, simulat...
Making Good: Convict artisans in exile is a new National Trust (NSW) exhibition at Old Government House, Parramatta NSW from 5 March till 27 November, charting the lives of convicts and their impact on the colony.
Peter Walker Fine Art established our annual Writing Award in 1999 to encourage writing for Australiana. At that time Australiana was a 32-page magazine, stapled, with three to five articles and a few black-and-white illustrations per issue. Twenty-two years on, the award has achieved its objectives. The Austra...
I trust all members had an enjoyable festive season with the family and friends they were fortunate enough to be able to see. As I have stated all too often, COVID never ceases to amaze with the number of twists and turns it continues to deliver. Who would have ever thought that, with the vaccination levels mos...
Australiana Society members visited the Ballarat region of Victoria in May, as part of a tour carefully planned by Victorian branch chair Robert Stevens. Luckily, it fell into a gap between COVID lockdowns, and gave members from several states a chance to get out, mingle and enjoy what the Victorian Central Gol...
Postponed several times due to Covid-19 restrictions, our plans for a visit to Bathurst in the NSW Central Tablelands, lands of the Wiradyuri Nation, finally came to fruition from 30 April to 2 May 2021, with the maximum
50 participants from five states taking part. Others were unable to attend for fear of not...
Petra ten-Doesschate Chu and Max Donnelly with Andrew Montana and Suzanne Veldink, Daniel Cottier: Designer, Decorator, Dealer.
Paul Mellon Centre for Studies in British Art, Yale University Press, New Haven CT 2021. Hard cover,
256 pp, 200 illustrations, Booktopia price $59 plus postage.
Philip...
John Roy Eldershaw (1892–1973) was a landscape artist who worked primarily in watercolours. During his lifetime, he
was proclaimed to be ‘destined to leave unmistakable footprints in the sands of time’. In 1973 Sir Erik Langker, the arts administrator and influential member of
the Sydney arts establishm...
The late Professor Kenneth Cavill’s article published in Australiana1 identified about 50 spoons of Australian and British manufacture, marking royal
and other occasions, with heraldic motifs, maps of Australia or Tasmania and flora and fauna, made either in factories or in craft workshops. Overlapping almos...